Headphone monitoring has always been a debated topic in audio production. Some engineers find it convenient, but many remain concerned about accurately judging sound positioning, depth, and vocal balance compared to traditional studio monitors. Headphones are often considered an alternative solution, yet when moving between spaces, working in shared environments, or lacking a properly treated studio, they become the only viable option. As immersive audio formats like Dolby Atmos become increasingly common, simulating spatial sound through headphones has become essential.