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FAQ opticalCON

FAQ opticalCON powerMONITOR

Self Noise is one of the important specifications when evaluating a microphone, because no one wants noise in a recording to affect the music. Particularly with quiet sound sources or recordings that require a high level of cleanliness, a microphone’s noise level can directly affect signal placement and the ability to control the signal in the studio.

What can technical specifications tell us about a microphone? Is it possible to choose the right microphone simply by comparing datasheets or looking at frequency response graphs? Or is listening still the best approach? Both measurement and real world experience play an important role in evaluating microphone quality.

Max SPL (Maximum Sound Pressure Level) is a specification commonly found in microphone technical specifications. However, there is still some confusion about what this value means. Max SPL is not the maximum sound level a microphone can withstand before being damaged, but rather the maximum sound pressure level a microphone can handle before distortion begins to occur.

Frequency response is one of the most common specifications when learning about microphones, as it is directly related to sound. However, what does a frequency response graph actually tell us about a microphone’s sonic characteristics, and what are the things that this graph cannot represent?

The Neumann MCM provides a compact microphone solution for close miking acoustic instruments in live performance environments. Paul Gatehouse, a British sound designer and music mixer, shares his real world experience with the MCM, focusing on its natural sound, versatility, and secure mounting system.

Two monitors, one reference standard Neumann has just announced the KH 310 II and KH 350, two new-generation 3-way studio monitors that combine an acoustic platform developed over decades with powerful DSP technology. Both products are designed to deliver high performance, flexible integration into professional workflows, and the accuracy that has established Neumann’s position in professional recording studios around the world. The KH 310 II continues the development of one of the industry’s highly regarded studio monitor models, while the KH 350 introduces an entirely new full-range monitor option, focusing on powerful low-frequency reproduction for larger listening spaces and immersive mixing rooms.

Home studios with limited acoustic treatment often face challenges when choosing microphones for drum recording. With its extremely low self-noise, the Neumann TLM 103 captures the drum kit’s natural tonal range without worrying about ambient noise.

Bulky microphone stands can easily get in the drummer’s way and take up valuable performance space. The Neumann MCM clip-on microphone system can be mounted directly onto tom and snare rims, securely maintaining the recording angle while optimizing professional stage space.