HD96-24-CC-TP Digital Mixer Midas - Giá Call

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  • Midas Heritage-D HD Mixing Console - Giá Call
  • Midas Heritage-D HD Mixing Console - Giá Call
Midas Heritage-D HD Mixing Console - Giá Call
Midas Heritage-D HD Mixing Console - Giá Call

Tính năng nổi bật

Live performance digital control centre with up to 144 simultaneous input channels @ 96 kHz sample rate
120 time-aligned and phase-coherent mix buses
21" full colour TFT display screen with capacitive touch sensing
Live Digital Console Control Centre with 144 Input Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case

Thông tin giao hàng

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·  Quick Start Guide, Chinese

·  Quick Start Guides, All Languages

·  Quick Start Guides, Japanese


  • Live performance digital control centre with up to 144 simultaneous input channels @ 96 kHz sample rate

  • 120 time-aligned and phase-coherent mix buses

  • 21" full colour TFT display screen with capacitive touch sensing

  • Advanced and multi-gesture touchscreen user interface

  • Award-winning Midas microphone preamplifiers

  • Over 600 inputs and outputs into the surface

  • Dual network bridge format converter with up to 128 bidirectional channels and asynchronous sample rate conversion

  • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam

  • 24 VCA (variable control association) and 24 POPulation groups

  • Up to 24 multi-channel digital signal processing effects engines with upto 96 effects

  • Integrated Wireless transceiver module

  • Dual ULTRANET Ports providing 32 additional digital outputs

  • 28 Midas PRO motorised 100 mm faders

  • Fully interpolated touch sensitive controls

  • Dual redundant auto-ranging universal switch-mode power supplies

Heritage History

Heritage History

The Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one.

The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice.

Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing.

Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve.

Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence).

This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.

The Graviton Mk 2 Processing Engine

The Graviton Mk 2 Processing Engine

At the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list.

It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier.

The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.




The Flexi Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.

Variable Channel Phase

Variable Channel Phase

The new, intuitive, easy to use Variable Phase per channel allows sound sources to be blended together seamlessly, with high or low phase changes to mix signals together in ways never achievable before.

Tap Off Points

Tap Off Points

New tap off points on channels have been introduced to allow signals to be sent from any point in the signal path. This gives greater flexibility for sending signals to stage before any element of processing has been performed. All this without affecting what Midas magic is needed for the main mix.

For the first time on a Midas, post insert fader points are available plus all processing options orders can be changed by simply dragging and dropping in the order you desire.

With Great Power Comes… More Chips

With Great Power Comes… More Chips

With 18 Sharc DSPs, 14 layer boards, 5 Eighth Generation FPGAs and 2 GPU co-processors there has never been such a technologically advanced board in the world.

True Innovation

Channel AI™

True Preview™

True Audition™ Console Connected

A true plethora of Effects with Music Tribe's unparalleled sister companies including TC Electronic we have the world’s best effects emulations. Up to 96 effects can be used to craft a beautiful sounding mix including:

TC 6000 (VSS4)

TC 3000 (VSS3)

TC Electronic 2290





KT Bus compressor

Mteq Program EQ-HD

M6 compressor

HD Stressor compressor

Ultra-Dualistic Voice Doubler

Rack-Amp (guitar amp and cab emulation)

Glow (harmonic mix glue)

Rotor Motor (Leslie cabinet emulation)

Enlightenment Bass


M Harmonics

Uncl HD Distortion

Prime Input Expander

Wave Designer

Midas Touch

Midas Touch

The first Midas full HD multitouch screen with up to 10 faders being controlled at once, unseen on a mixing console. Mixing never looked so good.

Shout Mixer

Shout Mixer

The Shout Mixer allows complex communication groups to be easily created and stored. 16 shout inputs (independent of the input and output channel count) can be used to create multifarious talk systems with 12 dedicated outputs. Instant recall allows you to use different settings for soundcheck and the all-important big show.

Channel AI ™

Channel AI ™

Never before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it.

The development of the HD96-24 can be summed up with one phrase “We Listened”.





Input processing channels

144 flexi channels

Output processing channels

96 flexi aux outputs, 24 matrices, stereo bus, mono bus

Point-to-point routing matrix

 622 x 652 

Signal processing

64-bit floating point 

D/A converter 

24-bit, 96 kHz and 128 times oversampling  

A/D converter

24-bit, 96 kHz and 128 times oversampling  

Sampling frequency

96 kHz 

I/O latency (surface input to output)

1.34 ms

Input audio processing 

Dual-slope high and low-pass filters

True phase filter control

4-band parametric EQ with 3 shelf modes

4-mode creative input compressors

Input gates or ducker

Insert point on/off with processing order change

Direct output with adjustable level and processing pick of point

Delay-compensated aux return mode on inputs

5 x tap-off points per send

Output audio processing

Output 4-band parametric EQ with shelving/HP/LP options

4-mode creative output dynamics

Insert point on/off with processing order change

Direct input with adjustable level and processing tap-off point

Mixing control assistance 

12 x talk groups

12 x mute groups

24 x surface POPulation groups

24 x VCA associated population groups

Scene snapshot automation


Midas microphone preamplifier

8 x XLR balanced 

Balanced outputs

8 x XLR balanced

Talkback connector 

1 x XLR balanced 

Talk connector

 1 x XLR balanced

Headphone connector 

2 x 1⁄4" TRS (stereo)  

Digital AES3 input / output (XLR)

 2 / 2

AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s)


Snake (copper) 

2 x HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR  

Snake (fibre) 

2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR

CM1 expansion slots

 2 x slots (CM1 module for AES50, DANTE, MADI and USB) 


2 x Ultranet ports (up to 16 digital outputs per port) 

Word clock IN

BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms 

Word clock OUT

BNC, provides a TTL level, 96 kHz square wave

AES3 sync IN

1 x 3-pin XLR

AES3 sync OUT

1 x 3-pin XLR

External (Ethernet) connector 

Ethercon XLR

Monitor output

2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported) 

USB 3.0 type A hub

4 x 5 V ⎓ 900 mA 

USB 3.0 type A (fader port expansion)

4 x 5 V ⎓ 900 mA 

USB 2.0 type A (front surface data)

1 x 5 V ⎓ 500 mA

Diagnostics Port

Serial port


In, Out and Thru 5-pin MIDI DIN sockets 


2 x 12 V DC 5 W 4-pin 

IEC mains socket with power switch


Input / Output Characteristics

Surface input impedance

10 kΩ

Non-clip maximum input level

+24 dBu

Input gain

-22.5 dB to +65 dB

Phantom power (switchable per input)

+48 V

Talk mic impedance

5 kΩ

Talk mic gain

+15 dB to +60 dB 

Talk mic max level

 +6 dB 

Talkback impendance

 20 kΩ 

Talkback gain

 ∞0 to + 10 dB 

Talkback max level

+21 dBu 

Surface output impedance

 50 Ω

Surface output gain

 0 dB

Surface output max level

+21 dBu 

Dynamic range 

106 dB, 22 Hz to 22 kHz, unweighted  

Maximum voltage gain 

100 dB inputs to subgroups and masters , 106 dB inputs to aux and matrix

Crosstalk at 1 kHz 

 -100 dB physically adjacent input channels  

Crosstalk at 10 kHz 

 -90 dB physically adjacent input channels  

Fader / pan cut off at 1 kHz 

 -100 dB  

Fader / pan cut off at 10 kHz 

-100 dB

Headphones output impedance

10 Ω 

Headphones maximum output level

+21 dBu


Display screen

21" LCD high brightness 1920 x 1080 px, captive touchscreen,  up to 10 simultaneous touches 

LCD info displays

41 x full colour LCD info displays, 24 mm x 24 mm (size), 240 x 240 px

Input meters (quantity 30) 

12 segment -35 dBu to +20 dBu

Output meters (quantity 7) 

20 segment -36 dBu to +21 dBu

Channel comp meters (quantity 28) 

5 segment -24 dBu to -1 dBu

Channel gate meters (quantity 28) 

5 segment -34 dBu to -5 dBu 

Comp meter (quantity 1)

 12 segment -23 dBu to -1 dBu 

Gate meter (quantity 1)

12 segment -34 dBu to -1 dBu


100 mm motorized faders

8 + 8 + 8 + 4

Touch-sensitive rotary controls


Custom controls  
Fully assignable rotary controls

28 + 8 

Fully assignable backlit buttons

28 + 8 + 12 

Headphone controls

A and B, min to max 


Talk gain min to max 


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