High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ?'' TRS and gold-plated XLR connectors
1 -Year Warranty Program*
Designed and engineered in Germany
Looking for feedback control? Maybe you need a compression or noise gate? Or a great DI box for line-level instruments? Whether you use it with microphones, acoustic instruments, or as a delay line for large venue loudspeaker systems, the FBQ100 is a “must-have” for your live and studio toolkit. Thanks to its intelligent “Learn Mode,” the FBQ100 can automatically equalize your PA and protect your sound system from feedback.
Behringer’s search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave singleshot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.
The adjustable mic preamp, with switchable +48 V phantom power and Ultra-Low Noise technology, guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.
Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100’s delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack-mount kit puts a complete professional loudspeaker management system at your fingertips.
Like a sonic Swiss army knife, you’ll want the FBQ100 close at hand for all your gigs and studio engagements. In fact, you’ll want several, which is why they are sized to fit five across your rack.
XLR and ¼" TRS jack
6 kΩ balanced, 3 kΩ unbalanced
Microphone or line level source (switchable)
+19 dBu at microphone level and line level
XLR and ¼" jack
60 Ω balanced, 30 Ω unbalanced
Microphone level source or +4 dBu (switchable
+20 dBu at +4 dBu nominal level, -12 dBu at microphone level
10 Hz to 21 kHz
> 92 dB at line level, unweighted, 22 Hz to 22 kHz
> 89 dB at microphone level, unweighted, 22 Hz to 22 kHz
0.007% typ. @ +4 dBu, 1 kHz, gain 1
24-bit Sigma-Delta, 64/128-times oversampling
4-digit numeric LED display
120 V~ 60 Hz 19 W
240 V~ 50 Hz 20.5 W
230 V~ 50 Hz 20 W
220 V~ 50 Hz 20 W
100 V~ 50/60 Hz 18 W
approx. 2.2 x 3.5 x 5.2" / 56 x 88 x 132 mm
approx. 0.84 lbs / 0.38 kg
Thanh toán được thực hiện một cách an toàn và bảo mật với thẻ tín dụng chuyển khoản Ngân hàng qua cổng thanh toán ONEPAY.
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